Transcription Notes:
This Internet file is not an exact copy of the book. Certain liberties have been taken. Ahiman Rezon was intended as a Masonic monitor or handbook, but included an extensive songbook as an appendix. It is only this songbook portion (and a little of the front-matter) which we have endeavored to reproduce here.
It is presented here as a collection of poetry, rather than as songs to be sung. Some of the conventions helpful for singing, such as breaking words into syllables and heavy use of apostrophes for elided 'e's and 'v's, were felt unnecessary and distracting, so some of the 'v's and practically all of the vowels that were apostrophized out have been replaced. Numbering of individual verses has been eliminated. While choruses are noted (except nonsense ones like "derry down, fa la la..."), repeating lines have otherwise been left out. A number of spellings have been modernized (including Free-Mason to Freemason), and typographic errors corrected. Capitalization has been modernized, except that Masonic terms (Freemason, Square, Compass, Plumb, Gauge, Lodge, etc.) and personified traits (Honesty, Virtue, Brotherly-Love, etc.) have been left capitalized, and for consistency, in a few cases even changed to capitalized if they weren't before. This edition used the long- for s (which is strange, we have seen a reproduction of the 1764 second edition at Pietre Stones (monitor half only, no songbook) and it used the normal modern s throughout). We have endeavored to replace them all with normal 's's, but do let us know if we missed any which remain as 'f's.
The first edition of this book came out in 1756, but this file has been copied from the seventh edition of this book, dated 1803, and contains material written between those dates. Only songs 1-60, the 5 prologues, first 4 epilogues, and the oratorio were in the first edition.
If a more precise rendition is required, a photocopy of the book is available online at Google Books: http://books.google.com/books?id=_k0BAAAAQAAJ&pg=71. The songbook portion covers pages 73-192. The .pdf version page numbers add 7 to Roman numeralled pages, 31 to Arabic numbered pages.
An edited version of the songbook portion of an earlier edition (possibly the 1756 first edition) is available in .pdf format from the RGLE. There are a few minor differences, and it lacks the songs added to later editions; it includes 1-60 plus the 5 Prologues, 5 Epilogues, and the Oratorio.
This book had no artwork nor music scores. The book had a Table of Contents, partially sequential but mostly alphabetized, partially by title but mostly by first line; but no other indexes. Hotlinked MPS indexes of first lines have been compiled at the end of this file. The songbook section contained one verse play, one prose prayer, two collections of toasts, with additional toasts at the end of each of the first 39 songs, and 90 songs, the first 69 numbered sequentially, the remainder unnumbered or in small groups. Most were titled only "Song", but a few had titles or subtitles, and we have compiled a separate index of those.
okl.
OR,
Addressed to the
To this Edition are added,
Together with
Also,
SHEWING
The Excellency of Secrecy, and the first Cause of the Institution of FREE-MASONRY; the Principles of the CRAFT, and the Benefits arising from a strict Observance thereof; the Sort of Men that ought to be Initiated into the MYSTERY, and the Kind of MASONS that are fit to govern Lodges, with their proper Behaviour in and out of the Lodge.
The ancient manner of Constituting New LODGES, with all the CHARGES, &c.
Likewise,
The Prayers used in Jewish and Christian Lodges.
Also,
The Old and New REGULATIONS,
The manner of Choosing and Installing GRAND-MASTER AND OFFICERS, &c.
To which is added,
A large collection of Masons Songs, entertaining Prologues and Epilogues,
And SOLOMON'S TEMPLE; An Oratorio.
BY BROTHER LAURENCE DERMOTT, SEC.
THE SEVENTH EDITION, WITH ADDITIONS.
PRINTED BY W. MAGEE, M,DCCC,III.
Mousing over asterisks [*] will reveal footnotes from the original text, words in red will reveal notes by the transcriber.
TO
It has been the general custom of all my worthy brethren, who have honoured the Craft with their Books of Constitutions, or Pocket Companions for Free-Masons, to give us a long and pleasing History of Masonry from the Creation to the time of their writing and publishing such accounts, viz. from Adam to Noah, from Noah to Nimrod, from Nimrod to Solomon, from Solomon to Cyrus, from Cyrus to Seleucus Nicator, from Seleucus Nicator to Augustus Cζsar, from Augustus Cζsar to the havock of the Goths, and so on until the revival of the Augustan Style, &c. &c. &c. Wherein they give us an account of the Drawing, Scheming, Planning, Designing, Erecting, and Building of the Temples, Towers, Cities, Castles, Palaces, Theatres, Pyramids, Monuments, Bridges, Walls, Pillars, Courts, Halls, Fortifications, and Labyrinths, with the famous Light-house of Pharos and Colossus at Rhodes, and many other wonderful works performed by the architects to the great satisfaction of the readers, and edification of Freemasons.[*]
Having called to mind the old proverb, Better out of the world than out of the fashion, I was fully determined to publish a History of Masonry, whereby I did expect to give the world an uncommon satisfaction; and in order to enable myself to execute this great design, I purchased all, or most, of the Histories, Constitutions, Pocket Companions, and other pieces (on that subject) now extent in the English tongue.
My next step was to furnish myself with a sufficient quantity of pens, ink and paper; this being done, I immediately fancied myself an historian, and intended to trace Masonry not only to Adam, in his sylvan Lodge in Paradise, but to give some account of the Craft even before the Creation: And (as a foundation) I placed the following works round about me, so as to be convenient to have recourse to them as occasion should require, viz. Doctor Anderson and Mr. Spratt directly before me, Doctor d'Assigny and Mr. Smith on my right-hand, Doctor Desagulier and Mr. Pennel on my left-hand, and Mr. Scott and Lyon behind me. A copy of (that often called) the original constitution, (said to be in possession of Mr. John Clark, in Paris) and another copy of the same magnitude handed about in England, together with the pamphlet printed at Frankfort, in Germany, I tied up in the Public Advertiser of Friday, October 19, 1753, and threw them under the table.
Having tried my pen, and written a line, not unlike the beginning of a chapter in the Alcoran,[* *] I began to flourish away in the most admirable manner, and in a few days wrote the first volume of the History of Masonry, wherein was a full account of the transactions of the first Grand Lodge, particularly the excluding of the unruly members, as related by Mr. Milton.[*]
By this time I imagined myself superior to Josephus, Stackhouse, or any other historian whom the reader will please to think on. And as I intended to give the world a History of Masonry for several years before the Creation, I had no manner of doubt but that my work should live (at least) two thousand years after the general Conflagration.
Perhaps some of my readers (I mean those that are best acquainted with my capacity) will say, he has more vanity than wit; and as to learning, it is as great a stranger to him, as Freemasonry is to women; yet he has the folly to think himself an historian, and expects to become a great man, &c.
Whether such an opinion be true or false, it matters nought to me; for the world must allow, that (though no man has yet found out the perpetual motion) all men ever had, have now, and ever will have a perpetual notion: and furthermore, we read that the following persons, so much famed in history, were not only poor men, but many of them of a very mean extraction: the wise philosopher Socrates was the son of a poor stone-carver; the tragic poet Euripides was the son of poor parents; as was Demosthenes, the honour of Greek eloquence; Virgil, the famous Latin poet, was the son of a poor Mantuan labouring potter; Horace, the incomparable Lyric, was the son of a trumpeter in the wars; Tarquinus Priscus, King of the Romans, was the son of a merchant; and Servius Tullius, another King of the Romans, was begotten on a woman-slave; Septimus Severus is said to come of a very base degree; Agathocles, King of Sicily, was a potter's son; Ζlius Pertinax was a poor artificer, or as some say a simple seller of wood; the parents of Ventidius Bassus are said to have been very miserably poor people; and Arsaces, King of the Parthians, was of so mean and obscure parentage, that no man's memory could make a report of his father or mother; Ptolomy, King of Egypt, was the son of a squire in Alexander's army; the Emperor Diocletian was the son of a scrivener; the Emperor Valentian was the son of a rope-maker; the Emperor Probus was the son of a gardener; and the parents of Aurelius were so obscure, that writers have not agreed who they were; Maximinius was the son of a smith, or as some say a wagon-wright; Marcus Julius Lincinius was the son of a herdsman; Bonosus was the son of a poor stipendary school-master; Mauritus Justinus, predecessor to Justinian, and likewise Galerus, were both shepherds; Pope John, the twenty-second of that name, was the son of a shoe maker; Pope Nicholas the Fifth was the son of a man that sold eggs and butter about the streets; and Pope Sixtus the Fourth was a mariner's son; Lamusius, King of the Lombards, was the son of a common strumpet, who (when he was an infant) threw him into a diich, but was taken out by King Agelmond; Primislaus King of Bohemia, was the son of a country peasant; Tamerlane the Great was a herdsman; Caius Marius, seven times Consul of Rome, was born of low parents in the village of Arpinum; and Marcus Tullius Cicero, Consul of Rome, and Pro-Consul in Asia, was from the poor Tuguriole of Arpinum, the meanest parentage that could be; Ventidius, Field-Marshal and Consul of Rome, was the son of a muleteer; and Theophrastus was the son of a botcher; i.e. a mender of garments, &c.
I have heard of many others of later date (not so far distant as Pekin[*]) that have been preferred to places or offices of great trust, and dignified with titles of honour, without having the least claim to courage, wit, learning, or honesty; therefore if such occurrences be duly considered, I humbly conceive it will not be deemed as a capital offence, that I should entertain my own perpetual notion, while I do not endeavour to disinherit any man of his properties.
I doubt I have tired the reader's patience; and if so, I humbly beg his pardon for this long digression. But to return: while my mind was wholly taken up with my fancied superiority as an historian, &c., I insensibly fell into a slumber, when methought four men entered my room; their habits appeared to be of very ancient fashion, and their language also I imagined to be either Hebrew, Arabic, or Chaldean, in which they addressed me, and I immediately answered them after the pantomine fashion. After some formal ceremonies, I desired to know their names and from whence they came? to which one of them answered me (in English) "We are four Brothers, and came from the holy city of Jerusalem; our names are Shallum, Ahiman, Akhub, and Talmon." [*] Hearing they were sojourners from Jerusalem, I asked them whether they could give any account of Solomon's Temple? to which Shallum (the Chief of them) made answer and said "the wise King Solomon, Grand Master of Israel, appointed us head-porters at the Temple, in the thirty-second year of his age, the twelfth of his reign, and about the year of the world 2942; and therefore we can give a full and particular description of that wonderful fabric, and likewise of the ingenious artists who performed it.
I was glad to meet with such brethren, from whom I did expect a great deal of knowledge; which the many ages they have lived in must have taught them if their memories did not fail. Upon this consideration, I told them that I was writing a History of Masonry, and begged their assistance, &c.
"A History of Masonry!" (says Ahiman) "From the day of the dedication of the Holy Temple to this present time, I have not seen a History of Masonry, though some have pretended not only to describe the length, breadth, height, weight, colour, shape, form, and substance of every thing within and about the Temple; but also to tell the spiritual[*] meaning of them, as if they knew the mind of him who gave orders for that building, or saw it finished. But I can assure you that such surveyors have never seen the Temple, they never have been within a thousand miles of Jerusalem:[*] indeed," continued he, "there was one Flavius (I think he was a soldier) took a great deal of notice of the Temple, and other matters about it; as did another man called Jery. There were two others whose names I have forgotten but remember one of them was an excellent dreamer,[*] and the other was very handy in collecting all manner of good writings [*] after the Captivity.
"Those were the only men that have written most and best upon that subject, and yet all their works together would not be sufficient for a preface to the History of Masonry; but for your further instruction, you shall hear an eminent Brother who can inform you in every particular that is necessary to your present undertaking." The words were scarce ended, when there appeared a grave old gentleman, with a long beard; he was dressed in an embroidered vest, and wore a breastplate of gold, set with twelve precious stones, which formed an oblong square; I was informed that the names of the stones were Sardine, Emerald, Ligure, Beryl, Topaz, Sapphire, Agate, Onyx, Carbuncle, Diamond, Amethyst, and Jasper. Upon these stones were engraved the names of the twelve tribes, viz. Rueben, Judah, Gad, Zebulen, Simeon, Dan, Asher, Joseph, Levi, Naphtali, Issachar, and Benjamin.
Upon his entrance, the four sojourners did him the homage due to a superior; and, as to me, the lustre of his breast-plate dazzled my sight, in such a manner that I could scarce look at him. But Ahiman giving him to understand that the people of this country were weak-sighted, he immediately covered his breast-plate, which not only gave me an opportunity of perceiving him more distinctly, but also of paying him my respects, in the best manner I was capable of; and making a very low bow I presented him with the first volume of the History of Masonry, hoped he would do me the honour of perusing it, and begged his advice for my further proceedings. He kindly received it, and read it over, whilst I impatiently waited to hear his opinion; which at last, to my mortification, amounted to no more than an old Hebrew Proverb, (which Ahiman translated thus: Thou hast dived deep into the waters and hast brought up a potsherd.) Nevertheless he took me by the hand and said; [*] "My son, if thou wilt thou shalt be taught, and if thou wilt apply thy mind thou shalt be witty; if thou lovest to hear thou shalt receive (doctrine;) and if thou delightest in hearing thou shalt be wise. And although your History of Masonry is not worth notice, yet you may write many other things of great service to the Fraternity."
"Certainly it is," continued he, "that Freemasonry has been from the Creation (though not under that name); that it was a divine gift from God; that Cain and the builders of his city were strangers to the secret mystery of Masonry; that there were but four Masons in the world when the Deluge happened; that one of the four, even the second son of Noah, was not Master of the Art; that Nimrod, nor any of his bricklayers knew any thing of the matter; and that there were but very few Masters of the Art, even, at Solomon's Temple. Whereby it plainly appears that the whole mystery was communicated to very few at that time; that at Solomon's Temple (and not before) it received the name of Freemasonry, because the Masons at Jerusalem and Tyre were the greatest Cabalists[*] then in the world; that the mystery has been, for the most part, practised amongst builders since Solomon's time, that there were some hundreds mentioned, in Histories of Masonry, under the titles of Grand Masters, &c. for no other reason than that of giving orders for the building of a house, tower, castle, or some other edifice (or perhaps for suffering the Masons to erect such in their Territories, &c.) while the memories of as many thousands of the faithful Crafts are buried in oblivion." From whence he gave me to understand, that such Histories were of no use to the Society at present; and further added, that the manner of constituting Lodges, the old and new regulations, &c. were the only and most useful things (concerning Freemasonry) that could be written: To which I begged to be informed whether songs were to be introduced? His answer was:[*] "If thou be the Master, lift not thyself up; but be among them as one of the rest; take diligent care for them, and so sit down.
"And when thou hast done all thy duty, sit down that thou mayest be merry with them; and receive a crown for thy good behaviour.
"Speak, thou that art the elder, for it becometh thee, but with sound judgment; and hinder not music.
[*]"And at all Times let thy Garments be White."
While he was yet speaking these last words, I was awaked by a young puppy that got into the room while I slept, and seizing my papers, ate a great part of them, and was then between my legs shaking and tearing the last sheet of what I had written.
I have not words to express the sorrow, grief, trouble and vexation I was in, upon seeing the catastrophe of a work which I expected would outlast the teeth of time.
Like one distracted (as in truth I was) I ran to the owner of the dog, and demanded immediate satisfaction. He told me he would hang the cur; but at the the same time he imagined I should be under more obligations to him for so doing, than he was to me for what had happened.
In short, I looked upon it as a bad omen; and my late dream had made so great an impression on my mind, that superstition got the better of me, and caused me to deviate from the general custom of my worthy predecessors; otherwise I would have published a History of Masonry. And as this is rather an accidental than designed fault, I hope the reader will look over it with a favourable eye.
In the following sheets I have inserted nothing but what are undeniable Truths, which will be found (if observed) to be of great use to the Fraternity, and likewise to numbers that are not of the Society; to the latter; because it will (in some measure) shew them their folly in ridiculing a Society founded upon Religion, Morality, Brotherly-Love and Good-Fellowship; and to those of a more gentle and better polished nature, give them an opportunity of examining themselves, and judging how much they are endued with the necessary qualifications of a Freemason, before they apply to be made members of the Society.
How far I may succeed in this design, I know not; but as my intention is good, I hope my Brethren and others will accept the will for the deed, and receive this as the widow's mite was received; which wilt amply reward the trouble taken by him who is,
With all due Respect,
The Reader's most obliged,
Humble Servant,
LAU. DERMOTT.
Originally given in the Orange Lodge of Belfast, No.257.
Transcriber's note: The full table of contents consisted of a sequential index of the monitorial half of this book, followed by a table of contents of the songs, in mixed sequential and alphabetical orders, and mixed first lines and titles. Only the latter is included here. More coherent hyperlinked indexes of first lines in sequential and alphabetic order, and titles in sequential and alphabetic order, have been compiled by the transcriber at the end of this file.
okl.
Masons Songs, Viz. | ||
---|---|---|
The Master's | 73 | |
The Warden's | 74 | |
The Fellow-Craft's | 74 | |
The Enter'd 'Prentice's | 76 | |
The Deputy Grand-Master's | 77 | |
The Grand Warden's | 78 | |
The Treasurer's | 79 | |
The Secretary's | 80 | |
A. | As I at Wheeler's Lodge one Night | 83 |
Adam the first of all | 154 | |
A Mason's Daughter fair and young | 87 | |
A health to our Sisters let's drink | 88 | |
As Masons once on Shinar's Plain | 113 | |
Arise and sound thy Trumpet | 145 | |
Attend loving Brethren and to me give Ear | 122 | |
Attend, attend to the Strains | 124 | |
B. | By Mason's Art th' aspiring Domes | 82 |
Bless'd be the Day that gave to me | 126 | |
C. | Come are you prepared | 90 |
Come, come, my Brethren dear | 96 | |
Come follow, follow me | 97 | |
Come, Boys, let's more Liquor get | 105 | |
Come fill up a Bumper and let it go round | 130 | |
Come ye Elves that be | 142 | |
E. | Excuse my weak untutored Muse | 144 |
F. | From the Depths let us raise | 117 |
G. | Glorious Craft which fires the Mind | 95 |
Guardian Genius of our Art divine | 106 | |
Genius of Masonry descend | 107 | |
Grant us kind Heaven | 162 | |
H. | Hail sacred Art, by Heaven designed | 89 |
How blest are we from Ignorance freed | 127 | |
Hail sacred Art, by Heaven designed | 134 | |
Hail Masonry divine | 134 | |
How happy a Mason whose Bosom still flows | 137 | |
I. | If Unity be good in every Degree | 136 |
K. | King Solomon that wise Projector | 100 |
Knights Templars | 149 | |
L. | Let malicious People censure | 95 |
Let Masons be merry each Night, &c. | 135 | |
Let worthy Brethren all combine | 138 | |
Let Masonry from Pole to Pole | 152 | |
O. | On you who Masonry despise | 81 |
Of all Institutions to form well the Mind | 101 | |
Once I was blind and could not see | 120 | |
The same, a new Way | 147 | |
P. | Pray lend me your Ears, my dear, &c. | 109 |
S. | Some Folks have with curious, &c. | 83 |
Sing to the Honour of those | 88 | |
See in the East the Master plac'd | 124 | |
T. | The Curious Vulgar could never devise | 91 |
To the Science that Virtue and Art, &c. | 102 | |
'Tis Masonry unites Mankind | 119 | |
To Masonry your Voices raise | 125 | |
Toasts | xix, 181 | |
U. | Urania sing the Art divine | 130 |
Unite, unite your Voices | 153 | |
W. | We have no idle Prating | 86 |
We Brethren Freemasons let's mark | 92 | |
What though they call us Mason Fools | 93 | |
With Plumb, Level and Square, to work, &c. | 98 | |
When Earth's Foundation first was laid | 104 | |
With Harmony and flowing Wine | 115 | |
Wake the Lute and quivering Strings | 133 | |
When Masonry by Heaven's Design | 137 | |
With cordial Hearts let's drink a Health | 139 | |
Whoever warns Wisdom must, &c. | 141 | |
When the Sun from the East | 146 | |
When a Lodge of Freemasons | 150 | |
Y. | You People who laugh at Masons, draw near | 85 |
Ye ancient Sons of Tyre | 115 | |
PROLOGUES | from 164 to 169 | |
EPILOGUES | from 169 to 174 | |
Solomon's Temple | from 175 to 181 |
AND A FEW
NEVER BEFORE PUBLISHED
A. | PROLGUE spoken before a Play, &c. | 182 |
A Freemason Anthem | 191 | |
G. | God caus'd great Lights to shine | 190 |
H. | Hence sorrow avaunt, you have no Business here | 184 |
How Bennett was made (a Pedlar to Trade) | 186 | |
Hail, immortal glorious Science | 191 | |
I. | In the social amusements of life let us live | 188 |
L. | Lesbia despairing of success | 190 |
T. | There is a Lodge in Skibbereen | 185 |
Y. | Ye Sons of fair Science, impatient to learn | 189 |
With several ingenious
TO WHICH IS ADDED
As it was Performed at the
IN FISHAMBLE-STREET,
For the Benefit of Sick and Distressed
A CHOICE
OF
In the old Book of Constitutions, the Master's Song was of too great a length to be sung at one time, therefore the Brethren never sung more than the following verse and chorus.
To the King and the Craft as Master-Masons.
In the old Book this song was thought too long, therefore the following last verse and chorus is thought sufficient.
To all the Kings, Princes, and Potentates, that ever propogated the Royal excellent Art.
To his Imperial Majesty (our Brother) Francis, Emperor of Germany.
To all the Fraternity round the Globe.
To the Right Worshipful the Grand Master.
To all the Noble Lords, and Right Worshipful Brethren that have heen Grand Masters.
To all well-disposed charitable Masons.
To the Deputy Grand Master.
To the Worshipful Grand Wardens.
To the perpetual honour of Freemasons.
To the Masters and Wardens of all Regular Lodges.
To all true and faithful Brethren, &c.
To all the Free-born Sons of the Ancient and Honorable Craft.
To the Memory of him that first planted a Vine.
To Masons and to Masons' Bairns,
And those that lie in Masons' Arms
To all the Female Friends of Freemasons.
To him that first the Work began, &c.
To the Memory of the Tyrian Artist, &c.
To the Memory of Virtruvius, Angelo, Wren, and other noble Artists, &c.
You'll find an extended discussion of this poem here on the Masonic Poets Society site.
To the Ancient Sons of Peace.
To all pure and upright Masons.
Prosperity to the most ancient and most honourable Craft.
To the Secret and Silent.
To all Masons who walk the line, &c.
To the King's good Health;
The Nation's Wealth;
The Prince God bless;
The Fleet Success;
The Lodge no less.
To him that did the Temple rear, &c.
To each true and faithful heart,
That still preserves the secret Art.
To all those who live within Compass and Square.
To all Free Social Masons, &c.
Magna est Veritas et prevalebit.
To the innocent and faithful Crafts.
To all true Masons and upright,
Who saw the East where rose the Light.
To each charming Fair and faithful She,
That loves the Craft of Masonry.
To the Increase of perpetual Friendship, and Peace amongst the Ancient Craft.
To each faithful Brother, both ancient and young;
That governs his passions, and bridles his tongue.
To the King and the Craft (as the Master's Song.)
To all ancient Masons wheresoever dispersed or oppressed, round the globe, &c.
[*]A certain club who call themselves Antigallic Masons, are here meant, and not the laudable association of Antigallicans, whom I esteem as an honourable and useful Society, and worthy of imitation.
To Salem's sons, &c.
To the Memory of P. H. Z. L. and J. A.
To all just and faithful Masons.
[*]And so soon as ever the day began to break, Noah stood up towards the body of Adam; and before the Lord, he and his sons, Shem, Ham and Japheth, and Noah prayed, &c. And the women answered, from another part of the Ark, Amen, Lord. See Caten. Arab. C. xxv. Fol. B.
Supernaculum: Good liquor, of which not enough is left to wet one's nail; The custom was, after a cup is emptied, to turn it upside down and let the last drop fall upon the thumb-nail. If the drop is so big that it rolls off, the drinker is obliged to fill and drink again.
[*] The last four lines, as they appeared in Anderson's Constitutions of 1723, read:
Let every Brother's health go round,
Not fool or knave but Mason true,
And let our Master's fame resound,
The noble Duke of Montagu.
Oh! Blessed and glorious , who has made the Cross the banner and badge of thy disciples, enable this our approved Brother, and now to be admitted Knight of the Temple, cheerfully to embrade this divine order; and if it be his lot to suffer as a Christian, let him not be ashamed, but rejoice that he is counted worthy to suffer for Thy name; Thou, who for our sakes endurest the Cross, and despisedst the shame: Let the example of that love and patience prevail against all the tremblings of his corrupt heart, that no terrors may ever be able to shake his constancy, but that he may always use the Sword of Justice, which shall be put into his hands, to the confusion of all the persecutors of the Christian religion. And, Oh Lord, grant that he may never profane any holy thing, or sacrilegiously invade what Thou hast set apart for Thyself; endue him with a stedfast mind and good courage, and make him a true and faithful soldier of Jesus Christ, unto his life's end. This we beg in the name, and for the sake of Jesus Christ, the true . Amen.
the words by
The music composed by Mr. Richard Broadway, organist of St. Patrick's Cathedral, Dublin.
The following account, humorous by 18th century standards, strikes us as incredibly cruel! Likewise, to do it to a man because of his honest occupation seems extremely un-Masonic. Nevertheless, the song was in the book, so we present it here for historical completeness. Tom Creech, Amyas, O'Callaghan, Collins, Jermyn, Ned Townsend, Carthy, George Maunsell, and O'Discoll were evidently members of the Lodge who performed this travesty. As always, asterisks[*] are footnotes from the original text, highlighted words are notes added by your transcriber.
okl.
An humourous account of a pedlar, who applied to a most respectable Lodge to be initiated into the secrets of Freemasonry; the members of which were so highly incensed, that they served him in the following ludicrous manner.
Ridentem dicere Verum quid vetat?
[*]An huge enormous Milesian, upwards of seven feet eight inches high, who was placed at the door as a Tyler, in order to preserve every appearance, and the better to deceive Bennett, who really imagined himself (for many months after) an excellent Freemason.
No. | Title | Pages |
---|---|---|
70 | Anthem | 162 |
5 | The Deputy Grand-Master's Song | 77-78 |
4 | The Enter'd 'Prentice's Song | 76-77 |
77 | Epilogues (5) | 169-174 |
91 | The Excellence Of Freemasonry | 191 |
3 | The Fellow-Craft's Song | 74-75 |
92 | A Freemason Anthem | 191-192 |
87 | The Freemason's Wish | 188 |
6 | The Grand Warden's Song | 78-79 |
69 | The History Of Masonry, By Dr. Anderson | 154-161 |
63 | The Hod Carrier's Song | 146 |
86 | How Bennett Was Made | 186-188 |
65 | Knights Templars | 149 |
89 | Lesbia Despairing Of Success | 190 |
1 | The Master's Song | 73 |
50 | An Ode | 133 |
46 | An Ode (Recitative) | 126-127 |
34 | An Ode On Masonry | 107-109 |
88 | The Portrait Of A Mason | 189 |
71 | A Prayer for Knights Templars | 163 |
35 | The Progress Of Masonry | 109-113 |
72 | Prologues (5) | 164-168 |
83 | Prologue for Knights Templars | 182-183 |
90 | Royal Arch Song | 190-191 |
8 | The Secretary's Song | 80-81 |
82 | Solomon's Temple: an Oratorio | 175-181 |
85 | Song Composed For The Carberry Lodge, No.504 | 185-186 |
84 | Song For St. John's Day | 184-185 |
7 | The Treasurer's Song | 79-80 |
2 | The Warden's Song | 74 |